South Korean 2021 Weekend 15
April 15-18, 2021
Key:New This Week
| Rank | LW | Release | Gross | %± LW | Theaters | Change | Average | Total Gross | Weeks | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | Godzilla vs. Kong | $476,587 | -63.6% | 832 | -221 | $572 | $5,630,910 | 3 | First Run |
| 2 | 2 | The Book of Fish | $454,482 | -50.1% | 804 | -391 | $565 | $2,018,411 | 2 | First Run |
| 3 | - | Nobody | $418,393 | - | 505 | - | $828 | $587,071 | 1 | First Run |
| 4 | 3 | Demon Slayer: Kimetsu no Yaiba - The Movie: Mugen Train | $391,378 | -26.2% | 627 | +3 | $624 | $14,277,591 | 11 | Lotte Entertainment |
| 5 | - | Mortal Kombat | $210,819 | - | 672 | - | $313 | $276,646 | 1 | First Run |
| 6 | 4 | Minari | $109,413 | -49.7% | 433 | -138 | $252 | $7,286,260 | 6 | Warner Bros. |
| 7 | - | The Father | $70,242 | - | 348 | - | $201 | $134,533 | 1 | First Run |
| 8 | - | Tinker Tailor Soldier Spy 2021 Re-release | $32,330 | - | 146 | - | $221 | $268,531 | 1 | First Run |
| 9 | 6 | Raya and the Last Dragon | $29,754 | -55.8% | - | - | - | $2,615,295 | 6 | Walt Disney Pictures |
| 10 | - | The Kindness of Strangers | $28,066 | - | 140 | - | $200 | $46,561 | 1 | First Run |
| 11 | 5 | Josee, the Tiger and the Fish 2020 Re-release | $22,088 | -74.5% | 135 | -264 | $163 | - | 2 | Warner Bros. |
| 12 | - | Way Back Home | $20,623 | - | 143 | - | $144 | $39,073 | 1 | First Run |
| 13 | - | Stigma | $18,829 | - | 19 | - | $991 | $285,346 | 27 | First Run |
| 14 | - | Love Me, Love Me Not | $16,992 | - | 91 | - | $186 | $22,279 | - | First Run |
| 15 | 11 | Soul | $15,914 | -33% | - | - | - | $17,303,747 | 12 | Walt Disney Pictures |
| 16 | 8 | Shades of the Heart | $14,990 | -74.6% | 104 | -249 | $144 | $139,869 | 2 | First Run |
| 17 | 9 | Hypnosis | $14,465 | -70.5% | 79 | -83 | $183 | $442,108 | 3 | First Run |
| 18 | 7 | The Box | $11,324 | -81.3% | 9 | -30 | $1,258 | $822,022 | 3 | First Run |
| 19 | - | Emma. | $184 | - | 1 | - | $184 | $35,546 | 59 | Universal Pictures International (UPI) |
This chart only reflects 98 percent of total screens in South Korea.
