South Korean 2018 Weekend 9
March 1-4, 2018
Key:New This Week
| Rank | LW | Release | Gross | %± LW | Theaters | Change | Average | Total Gross | Weeks | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | - | The Princess and the Matchmaker | $3,808,380 | - | 965 | - | $3,946 | $6,789,843 | 1 | N/A |
| 2 | - | Little Forest | $2,910,893 | - | 832 | - | $3,498 | $5,033,773 | 1 | - |
| 3 | 1 | Black Panther | $2,065,383 | -64% | 786 | -456 | $2,627 | $41,317,688 | 3 | Walt Disney Pictures |
| 4 | 2 | What Happened to Monday | $1,541,593 | -18.9% | 371 | +18 | $4,155 | $5,905,915 | 2 | N/A |
| 5 | 3 | The Shape of Water | $507,539 | -61.2% | 294 | -110 | $1,726 | $2,556,248 | 2 | 20th Century Fox International |
| 6 | - | The Miracles of the Namiya General Store | $462,895 | - | 502 | - | $922 | $1,113,121 | 1 | Warner Bros. |
| 7 | - | Red Sparrow | $333,659 | - | 382 | - | $873 | $608,422 | 1 | 20th Century Fox International |
| 8 | - | Gate | $325,164 | - | 208 | - | $1,563 | $581,179 | 1 | N/A |
| 9 | - | The Post | $304,552 | - | 266 | - | $1,144 | $574,276 | 1 | CJ Entertainment |
| 10 | 6 | Fifty Shades Freed | $205,991 | -74% | 146 | +32 | $1,410 | $1,535,450 | 2 | Universal Pictures International (UPI) |
| 11 | 7 | Paddington 2 | $87,736 | -61.4% | 150 | -108 | $584 | $2,337,722 | 4 | Noori Pictures |
| 12 | - | Friends: Naki on the Monster Island | $85,664 | - | 187 | - | $458 | $3,688,927 | 323 | N/A |
| 13 | - | Polar Adventure 2018 Re-release | $57,924 | - | 203 | - | $285 | $145,293 | 1 | N/A |
| 14 | - | Ajin: Demi-Human | $44,504 | - | 150 | - | $296 | $106,239 | 1 | N/A |
| 15 | 5 | Detective K: Secret of the Living Dead | $35,757 | -96.8% | 129 | -507 | $277 | $18,490,022 | 4 | N/A |
| 16 | 4 | Golden Slumber | $35,700 | -97.1% | 126 | -558 | $283 | $10,629,094 | 3 | N/A |
| 17 | 8 | Coco | $30,428 | -85.5% | 57 | -213 | $533 | $25,869,956 | 8 | - |
| 18 | 12 | Lighting Dindin | $21,803 | -79.7% | 63 | -240 | $346 | $239,470 | 2 | N/A |
| 19 | 13 | Earth: One Amazing Day | $16,790 | -83.3% | 31 | -200 | $541 | $200,534 | 4 | Mediaday |
| 20 | - | Call Me by Your Name | $16,742 | - | 18 | - | $930 | $17,734 | 1 | Sony Pictures Releasing |
| 21 | 9 | Detective Conan: Jolly Roger in the Deep Azure 2018 Re-release | $15,297 | -92.7% | 62 | -250 | $246 | $1,678,622 | 3 | N/A |
| 22 | - | Phantom Thread | $13,744 | - | 17 | - | $808 | $27,682 | - | Universal Pictures International (UPI) |
| 23 | - | Narratage | $11,230 | - | 3 | - | $3,743 | $15,802 | - | N/A |
| 24 | 14 | The Greatest Showman | $10,354 | -66% | 16 | -13 | $647 | $10,705,860 | 12 | 20th Century Fox International |
| 25 | - | The Florida Project | $7,895 | - | 4 | - | $1,973 | $64,930 | - | N/A |
| 26 | - | The Battle of Concepts | $6,935 | - | 43 | - | $161 | $157,188 | 8 | N/A |
| 27 | - | March of the Penguins 2: The Next Step | $6,292 | - | 54 | - | $116 | $19,060 | 1 | N/A |
| 28 | - | Three Billboards Outside Ebbing, Missouri | $5,262 | - | 5 | - | $1,052 | $19,483 | - | 20th Century Fox International |
| 29 | 27 | SechsKies Eighteen | $4,200 | -41.1% | 2 | -3 | $2,100 | $311,013 | 7 | N/A |
| 30 | 18 | Darkest Hour | $3,986 | -70% | 9 | -13 | $442 | $248,167 | 7 | Universal Pictures International (UPI) |
| 31 | - | Maze Runner: The Death Cure | $3,823 | - | 6 | - | $637 | $17,640,994 | 7 | 20th Century Fox International |
| 32 | - | Yes PyeongChang | $3,744 | - | 1 | - | $3,744 | $4,831 | - | N/A |
| 33 | 19 | In Between Seasons | $3,682 | -68.4% | 22 | -28 | $167 | $41,187 | 2 | N/A |
| 34 | 17 | Dancing Beethoven | $3,608 | -73.4% | 19 | -19 | $189 | $34,852 | 2 | N/A |
| 35 | - | T-Guardians | $3,580 | - | 2 | - | $1,790 | $3,580 | - | N/A |
| 36 | 10 | Heung-boo: The Revolutionist | $3,404 | -98.2% | 16 | -375 | $212 | $3,143,995 | 3 | N/A |
| 37 | 38 | King of Prism by PrettyRhythm | $2,921 | -23.9% | 5 | - | $584 | $911,204 | 82 | N/A |
| 38 | 33 | Loving Vincent | $2,582 | -50.4% | 10 | -5 | $258 | $3,037,499 | 17 | First Run |
| 39 | - | The Foreigner | $2,250 | - | 6 | - | $375 | $302,345 | 4 | Joyncontents Group |
This chart only reflects 98 percent of total screens in South Korea.
