South Korean 2017 Weekend 38
September 21-24, 2017
Key:New This Week
| Rank | LW | Release | Gross | %± LW | Theaters | Change | Average | Total Gross | Weeks | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | - | I Can Speak | $4,385,652 | - | 1,140 | - | $3,847 | $5,173,829 | 1 | N/A |
| 2 | 1 | Memoir of a Murderer | $1,592,800 | -55.9% | 678 | -206 | $2,349 | $17,611,627 | 3 | N/A |
| 3 | 2 | Baby Driver | $1,161,276 | -54.5% | 551 | -224 | $2,107 | $5,200,401 | 2 | Sony Pictures Releasing |
| 4 | - | The Hitman's Bodyguard | $427,627 | - | 216 | - | $1,979 | $11,671,622 | - | - |
| 5 | 3 | American Made | $300,281 | -81.1% | 438 | -253 | $685 | $2,702,216 | 2 | Universal Pictures International (UPI) |
| 6 | - | The Invisible Guest | $268,029 | - | 232 | - | $1,155 | $328,032 | 1 | N/A |
| 7 | 5 | It | $228,779 | -74.1% | 240 | -240 | $953 | $6,356,722 | 3 | Warner Bros. |
| 8 | - | The Lost City of Z | $193,710 | - | 398 | - | $486 | $247,592 | 1 | - |
| 9 | 6 | A Monster Calls | $80,843 | -69% | 182 | -167 | $444 | $522,011 | 2 | Lotte Entertainment |
| 10 | 9 | The Reservoir Game | $71,598 | -54% | 142 | -50 | $504 | $799,185 | 3 | N/A |
| 11 | 25 | Suicide Made: Kwang-suk, Kim | $60,944 | +404.3% | 51 | +31 | $1,194 | $402,387 | 4 | N/A |
| 12 | 7 | A Taxi Driver | $59,500 | -76.3% | 133 | -188 | $447 | $84,431,805 | 8 | Showbox Entertainment |
| 13 | 14 | Monster Island | $37,255 | -0.6% | 85 | -11 | $438 | $159,588 | 3 | N/A |
| 14 | - | Brad's Status | $36,615 | - | 134 | - | $273 | $51,538 | 1 | Noori Pictures |
| 15 | - | Star Nextdoor | $32,598 | - | 240 | - | $135 | $56,035 | 1 | N/A |
| 16 | - | Two Is a Family | $30,041 | - | 128 | - | $234 | $39,821 | 1 | N/A |
| 17 | - | Inception 2017 Re-release | $26,667 | - | - | - | - | $26,667 | 1 | N/A |
| 18 | 12 | Boonie Bears: Robo-Rumble | $24,878 | -61.2% | 85 | -159 | $292 | $108,097 | 2 | N/A |
| 19 | - | Dunkirk | $23,626 | - | 2 | - | $11,813 | $21,622,315 | 10 | Warner Bros. |
| 20 | 10 | Wind River | $22,968 | -84.7% | 54 | -276 | $425 | $335,233 | 2 | N/A |
| 21 | - | The Lego Ninjago Movie | $20,679 | - | 15 | - | $1,378 | $20,679 | - | Warner Bros. |
| 22 | 19 | The Running Actress | $19,494 | -17.4% | 39 | -4 | $499 | $77,187 | 2 | N/A |
| 23 | - | A Perfect Day 2017 Re-release | $18,357 | - | 76 | - | $241 | $32,200 | 1 | N/A |
| 24 | - | Below Her Mouth | $16,834 | - | 63 | - | $267 | $25,570 | 1 | N/A |
| 25 | 8 | Midnight Runners | $16,672 | -90.2% | 54 | -204 | $308 | $39,103,598 | 7 | Lotte Entertainment |
| 26 | 11 | Their Distance | $15,886 | -81.6% | 44 | -55 | $361 | $212,515 | 4 | N/A |
| 27 | 23 | Shimajiro and the Rainbow Oasis | $13,993 | -16.9% | 63 | -3 | $222 | $93,001 | 3 | N/A |
| 28 | - | The Dark Knight Rises | $13,850 | - | 1 | - | $13,850 | $42,019,762 | 271 | Warner Bros. |
| 29 | - | Kedi | $13,027 | - | 32 | - | $407 | $20,431 | 1 | N/A |
| 30 | 24 | King of Prism: Pride the Hero | $12,553 | -25.5% | 11 | -1 | $1,141 | $690,375 | 16 | N/A |
| 31 | - | Sheep & Wolves | $10,635 | - | 12 | - | $886 | $20,987 | - | N/A |
| 32 | 20 | The Table | $9,501 | -56.1% | 24 | -27 | $395 | $715,106 | 5 | M-Line Distribution |
| 33 | 16 | Spy Nation 2017 Re-release | $9,282 | -73.6% | 44 | -51 | $210 | $1,775,264 | 6 | N/A |
| 34 | 18 | The Poet and the Boy | $8,819 | -67.4% | 46 | -69 | $191 | $74,371 | 2 | N/A |
| 35 | 26 | Maudie | $6,722 | -34.6% | 11 | - | $611 | $2,101,246 | 11 | N/A |
| 36 | 22 | The Beguiled | $5,760 | -67.4% | 12 | -24 | $480 | $357,429 | 3 | Universal Pictures International (UPI) |
| 37 | 27 | Paris Can Wait | $5,475 | -28.6% | 7 | -3 | $782 | $804,975 | 8 | N/A |
| 38 | 21 | Valerian and the City of a Thousand Planets | $2,714 | -86.6% | 2 | -37 | $1,357 | $3,574,711 | 4 | - |
| 39 | - | Spider-Man: Homecoming | $2,278 | - | 1 | - | $2,278 | $51,515,806 | 12 | Sony Pictures Releasing |
| 40 | - | Despicable Me 3 | $2,089 | - | 5 | - | $417 | $21,654,515 | 9 | Universal Pictures International (UPI) |
| 41 | - | La La Land | $673 | - | 1 | - | $673 | $24,987,195 | 42 | - |
This chart only reflects 98 percent of total screens in South Korea.
