Rank | LW | Release
| Gross | %± LW | Theaters | Change | Average | Total Gross | Weeks | Distributor
| New This Week
| Estimated
|
---|
1 | - | Wonder Woman | $5,037,636 | - | 607 | - | $8,299 | $5,037,636 | 1 | Warner Bros. | true | false |
2 | - | Baywatch | $2,591,091 | - | 403 | - | $6,429 | $2,738,371 | 1 | Paramount Pictures International | true | false |
3 | 1 | Pirates of the Caribbean: Dead Men Tell No Tales | $1,853,660 | -57.7% | 454 | -178 | $4,082 | $7,442,320 | 2 | Walt Disney Pictures | false | false |
4 | 3 | Guardians of the Galaxy Vol. 2 | $416,580 | -44.9% | 215 | -30 | $1,937 | $23,658,537 | 6 | Walt Disney Pictures | false | false |
5 | 2 | King Arthur: Legend of the Sword | $352,230 | -55.8% | 249 | -23 | $1,414 | $3,711,030 | 3 | Roadshow Films | false | false |
6 | 7 | Viceroy's House | $264,075 | -18.9% | 138 | -1 | $1,913 | $1,474,143 | 3 | Transmission Films | false | false |
7 | 4 | John Wick: Chapter 2 | $236,132 | -63.2% | 195 | -21 | $1,210 | $2,910,843 | 3 | StudioCanal | false | false |
8 | 6 | Alien: Covenant | $216,910 | -62.4% | 203 | -75 | $1,068 | $6,691,346 | 4 | 20th Century Fox International | false | false |
9 | 5 | Snatched | $211,610 | -65.5% | 260 | -46 | $813 | $5,738,209 | 4 | 20th Century Fox International | false | false |
10 | 8 | A Dog's Purpose | $148,640 | -49.6% | 163 | -33 | $911 | $3,230,988 | 5 | Entertainment One | false | false |
11 | - | 20th Century Women | $81,891 | - | 32 | - | $2,559 | $92,842 | 1 | Entertainment One | true | false |
12 | 9 | Get Out | $70,610 | -63.5% | 54 | -78 | $1,307 | $4,426,837 | 5 | Universal Pictures International (UPI) | false | false |
13 | 10 | The Shack | $67,451 | -37% | 59 | -3 | $1,143 | $227,020 | 2 | StudioCanal | false | false |
14 | 12 | The Sense of an Ending | $63,321 | -33.8% | 50 | +1 | $1,266 | $260,346 | 3 | Roadshow Films | false | false |
15 | 16 | Neruda | $49,987 | -8.9% | 13 | - | $3,845 | $255,640 | 2 | Palace Films | false | false |
16 | - | Norman | $48,908 | - | 27 | - | $1,811 | $135,612 | 1 | Becker Film Group | true | false |
17 | 13 | The Zookeeper's Wife | $48,775 | -36.3% | 83 | -10 | $587 | $1,076,479 | 5 | Roadshow Films | false | false |
18 | 15 | The Boss Baby | $44,507 | -19.8% | 98 | -9 | $454 | $15,943,886 | 11 | 20th Century Fox International | false | false |
19 | - | Beauty and the Beast | $27,420 | - | 79 | - | $347 | $35,617,178 | 11 | Walt Disney Pictures | false | false |
20 | - | Hounds of Love | $22,493 | - | 6 | - | $3,748 | $40,479 | 2 | N/A | false | false |
21 | 11 | Sachin - A Billion Dreams | $16,397 | -83.7% | 20 | -25 | $819 | $140,255 | 2 | Forum Hungary | false | false |
22 | 22 | The Case for Christ | $13,901 | -55.1% | 20 | -10 | $695 | $589,685 | 5 | Crossroad Distributors | false | false |
23 | 25 | Things to Come | $12,768 | -31% | 17 | -4 | $751 | $612,892 | 6 | Palace Films | false | false |
24 | - | Beautiful Accident | $11,698 | - | 12 | - | $974 | $11,698 | 1 | China Lion Film Distribution | true | false |
25 | 20 | Warren Miller's Here, There & Everywhere | $10,372 | -76.5% | 5 | - | $2,074 | $83,079 | 4 | - | false | false |
26 | 27 | Irreplaceable | $9,503 | -17.4% | 11 | -5 | $863 | $480,199 | 9 | Madman Entertainment | false | false |
27 | - | The Room 2017 Re-release | $7,195 | - | 1 | - | $7,195 | $358,656 | 5 | - | false | false |
28 | 17 | Saab Bahadar | $6,849 | -86.8% | 9 | -19 | $761 | $76,894 | 2 | Zee Studios | false | false |
29 | 29 | Whiteley | $5,894 | -41.6% | 13 | -11 | $453 | $162,729 | 4 | Transmission Films | false | false |
30 | 24 | I Am Heath Ledger | $5,875 | -71.6% | 8 | -25 | $734 | $323,504 | 4 | The Backlot Films | false | false |
31 | - | The Merciless | $5,871 | - | 10 | - | $587 | $5,871 | 1 | JBG Pictures | true | false |
32 | - | A Man Called Ove | $4,569 | - | 9 | - | $507 | $378,378 | 10 | Rialto Distribution | false | false |
33 | 31 | Wilson | $4,434 | -50.1% | 9 | - | $492 | $17,566 | 2 | 20th Century Fox International | false | false |
34 | - | Frantz | $4,229 | - | 13 | - | $325 | $289,827 | 8 | Sharmill Films | false | false |