Domestic Box Office For Aug 15, 2022
Data as of Dec 3, 2:58 PST
TD | YD | Release | Daily | %± YD | %± LW | Theaters | Avg | To Date | Days | Distributor |
---|---|---|---|---|---|---|---|---|---|---|
1 | 1 | Bullet Train | $1,510,422 | -63% | -43.9% | 4,357 | $346 | $55,998,147 | 11 | Sony Pictures Releasing |
2 | 2 | Top Gun: Maverick | $866,238 | -58.8% | -18% | 3,181 | $272 | $674,590,745 | 81 | Paramount Pictures |
3 | 3 | DC League of Super-Pets | $801,162 | -61% | -47.3% | 3,803 | $210 | $58,981,334 | 18 | Warner Bros. |
4 | 5 | Nope | $655,845 | -58.4% | -39.9% | 2,760 | $237 | $108,237,505 | 25 | Universal Pictures |
5 | 4 | Thor: Love and Thunder | $630,078 | -61.3% | -37.1% | 3,175 | $198 | $326,092,240 | 39 | Walt Disney Studios Motion Pictures |
6 | 6 | Minions: The Rise of Gru | $627,845 | -57.5% | -42.4% | 3,068 | $204 | $344,440,370 | 46 | Universal Pictures |
7 | 7 | Where the Crawdads Sing | $525,615 | -54.7% | -33.7% | 2,916 | $180 | $72,676,721 | 32 | Sony Pictures Releasing |
8 | 10 | Bodies Bodies Bodies | $380,345 | -49.1% | +1,360.5% | 1,290 | $294 | $3,834,833 | 11 | A24 |
9 | 8 | Elvis | $338,154 | -56.3% | -39.2% | 2,211 | $152 | $141,626,361 | 53 | Warner Bros. |
10 | 11 | Fall | $279,763 | -59.6% | - | 1,548 | $180 | $2,791,908 | 4 | Lionsgate |
11 | 9 | Easter Sunday | $235,950 | -69.4% | -56.4% | 3,176 | $74 | $10,203,475 | 11 | Universal Pictures |
12 | 12 | Laal Singh Chaddha | $173,750 | -63.6% | - | 516 | $336 | $1,975,571 | 5 | Paramount Pictures |
13 | 14 | Mack & Rita | $128,063 | -53.6% | - | 1,605 | $79 | $1,166,354 | 4 | Gravitas Premiere |
14 | 13 | The Black Phone | $115,905 | -58.1% | -47% | 926 | $125 | $87,856,520 | 53 | Universal Pictures |
15 | 15 | E.T. the Extra-Terrestrial 2022 Re-release | $98,460 | -62.5% | - | 389 | $253 | $1,170,810 | 4 | Universal Pictures |
16 | 16 | Emily the Criminal | $87,577 | -54.4% | - | 470 | $186 | $756,738 | 4 | Roadside Attractions |
17 | 17 | Jurassic World Dominion | $61,210 | -66% | -60.1% | 880 | $69 | $373,167,520 | 67 | Universal Pictures |
18 | 18 | Mrs. Harris Goes to Paris | $50,905 | -51.2% | -44.7% | 573 | $88 | $8,880,150 | 32 | Focus Features |
19 | 19 | Marcel the Shell with Shoes On | $29,765 | -52.6% | -53% | 276 | $107 | $5,408,813 | 53 | A24 |
20 | 21 | Inu-oh | $26,937 | -33.1% | - | 350 | $76 | $217,941 | 4 | GKIDS |
21 | 20 | Vengeance | $25,665 | -59% | -72.4% | 431 | $59 | $3,911,160 | 18 | Focus Features |
22 | 22 | Everything Everywhere All at Once | $10,766 | -47.8% | -63.8% | 111 | $96 | $69,691,120 | 144 | A24 |
23 | 23 | Paws of Fury: The Legend of Hank | $7,609 | -60.2% | -74% | 226 | $33 | $17,776,593 | 32 | Paramount Pictures |
24 | 25 | Fire of Love | $5,033 | -57% | -65.5% | 54 | $93 | $820,283 | 41 | Neon |
25 | 26 | Summering | $4,533 | -48.7% | - | 260 | $17 | $37,383 | 4 | Bleecker Street Media |
26 | 24 | Lightyear | $4,251 | -64.3% | -72.9% | 110 | $38 | $118,226,950 | 60 | Walt Disney Studios Motion Pictures |
27 | 27 | A Love Song | $2,889 | -60.1% | +16.5% | 34 | $84 | $82,034 | 18 | Bleecker Street Media |
28 | 30 | Apocalypse Now 2022 Re-release | $2,438 | +59.8% | - | 6 | $406 | $7,608 | 4 | Rialto Pictures |
29 | 29 | My Donkey, My Lover & I | $1,025 | -50.4% | +13.4% | 7 | $146 | $105,353 | 25 | Greenwich Entertainment |
30 | 28 | Love in Kilnerry | $827 | -80% | +166.8% | 11 | $75 | $187,753 | 130 | Archway Pictures |
31 | 32 | Let the Little Light Shine | $431 | -55.4% | - | 1 | $431 | $3,811 | 4 | Argot Pictures |
32 | 33 | Resurrection | $426 | -48.4% | -81% | 9 | $47 | $153,734 | 18 | IFC Films |
33 | 37 | 1982 | $221 | -18.8% | - | 1 | $221 | $23,462 | 67 | Tricycle Logic |
34 | 36 | The Discreet Charm of the Bourgeoisie 4K Restoration | $184 | -60.3% | -7.5% | 5 | $36 | $53,250 | 53 | Rialto Pictures |
35 | 34 | Ali & Ava | $166 | -77.7% | -92.2% | 4 | $41 | $35,321 | 18 | Greenwich Entertainment |
36 | 39 | Venicephrenia | $121 | -30.1% | - | 10 | $12 | $617 | 4 | Sony Pictures Releasing |
37 | 35 | Family Camp | $68 | -90.2% | -59.3% | 6 | $11 | $3,973,051 | 95 | Roadside Attractions |