Domestic Box Office For Apr 24, 2008
Data as of Nov 21, 2:03 PST
| TD | YD | Release | Daily | %± YD | %± LW | Theaters | Avg | To Date | Days | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | Forgetting Sarah Marshall | $1,497,125 | -2.7% | - | 2,798 | $535 | $24,062,895 | 7 | Universal Pictures |
| 2 | 2 | The Forbidden Kingdom | $1,226,533 | -0.2% | - | 3,151 | $389 | $27,025,134 | 7 | Lionsgate |
| 3 | 3 | 88 Minutes | $466,758 | -5.9% | - | 2,168 | $215 | $9,032,061 | 7 | Sony Pictures Releasing |
| 4 | 4 | 21 | $436,904 | -0.2% | -33.9% | 2,903 | $150 | $71,774,561 | 28 | Sony Pictures Releasing |
| 5 | 5 | Prom Night | $384,926 | +6.2% | -40.9% | 2,700 | $142 | $33,714,610 | 14 | Screen Gems |
| 6 | 7 | Nim's Island | $383,992 | +11% | -13.6% | 3,277 | $117 | $34,428,726 | 21 | Twentieth Century Fox |
| 7 | 6 | Street Kings | $344,893 | -3.9% | -51.9% | 2,469 | $139 | $21,556,914 | 14 | - |
| 8 | 8 | Horton Hears a Who! | $278,936 | +17.9% | -15.8% | 2,670 | $104 | $145,472,903 | 42 | Twentieth Century Fox |
| 9 | 9 | Expelled: No Intelligence Allowed | $231,440 | -1.3% | - | 1,052 | $220 | $3,902,920 | 7 | Rocky Mountain Pictures |
| 10 | 10 | Leatherheads | $223,840 | +6.6% | -42.2% | 2,798 | $80 | $27,460,300 | 21 | Universal Pictures |
| 11 | 11 | Smart People | $142,529 | -3.1% | -46.1% | 1,119 | $127 | $7,389,226 | 14 | Miramax |
| 12 | 13 | Superhero Movie | $107,310 | +7.1% | -34.2% | 1,880 | $57 | $24,043,690 | 28 | - |
| 13 | 12 | The Ruins | $104,382 | -0.2% | -58.9% | 1,857 | $56 | $16,253,628 | 21 | DreamWorks |
| 14 | 14 | Shine a Light | $59,056 | +4.1% | -26.7% | 220 | $268 | $3,980,863 | 21 | Paramount Vantage |
| 15 | 15 | 10,000 BC | $53,766 | +2% | -53.2% | 855 | $62 | $93,035,565 | 49 | Warner Bros. |
| 16 | 18 | Drillbit Taylor | $52,240 | +16.8% | -55% | 1,367 | $38 | $29,968,424 | 35 | Paramount Pictures |
| 17 | 19 | Meet the Browns | $46,106 | +9.7% | -50% | 675 | $68 | $41,340,792 | 35 | Lionsgate |
| 18 | 17 | Under the Same Moon | $45,686 | -3.4% | -32.9% | 454 | $100 | $11,384,248 | 37 | The Weinstein Company |
| 19 | 16 | The Bank Job | $44,463 | -6.4% | -52.7% | 473 | $94 | $29,387,479 | 49 | Lionsgate |
| 20 | 20 | Miss Pettigrew Lives for a Day | $29,825 | +4.9% | -40.8% | 332 | $89 | $11,875,715 | 49 | Focus Features |
| 21 | 21 | The Bucket List | $25,640 | +5% | -26.9% | 350 | $73 | $92,687,977 | 122 | Warner Bros. |
| 22 | 22 | Stop-Loss | $23,892 | +4.5% | -75.4% | 534 | $44 | $10,734,454 | 28 | Paramount Pictures |
| 23 | 24 | Run Fatboy Run | $19,166 | +5.9% | -56.3% | 227 | $84 | $5,867,224 | 28 | Picturehouse |
| 24 | 28 | The Spiderwick Chronicles | $17,295 | +21.3% | -25.1% | 370 | $46 | $70,665,227 | 71 | Paramount Pictures |
| 25 | 23 | Young@Heart | $17,179 | -10.7% | +226.7% | 33 | $520 | $305,487 | 16 | - |
| 26 | 25 | The Visitor | $16,365 | +7.7% | +115% | 18 | $909 | $348,579 | 14 | Overture Films |
| 27 | 27 | Shutter | $14,505 | -0.8% | -78.6% | 433 | $33 | $25,488,393 | 35 | Twentieth Century Fox |
| 28 | 26 | Never Back Down | $13,712 | -8.8% | -64.7% | 297 | $46 | $24,266,421 | 42 | Summit Entertainment |
| 29 | 31 | Deep Sea | $13,492 | +6.9% | +40% | 10 | $1,349 | $35,025,522 | 784 | Warner Bros. |
| 30 | 30 | Where in the World Is Osama Bin Laden? | $13,367 | +3.6% | - | 102 | $131 | $204,382 | 7 | The Weinstein Company |
| 31 | 33 | Fool's Gold | $12,788 | +3.7% | -34.7% | 220 | $58 | $69,271,262 | 77 | Warner Bros. |
| 32 | 32 | Juno | $12,664 | +2.2% | -45.9% | 230 | $55 | $143,306,893 | 142 | - |
| 33 | 34 | In Bruges | $12,271 | +3.2% | -29.3% | 123 | $99 | $7,321,814 | 77 | Focus Features |
| 34 | 29 | My Blueberry Nights | $12,227 | -8.4% | +148.2% | 59 | $207 | $317,910 | 21 | The Weinstein Company |
| 35 | 35 | Jumper | $11,519 | -1% | +11.4% | 200 | $57 | $79,211,258 | 71 | Twentieth Century Fox |
| 36 | 37 | 27 Dresses | $8,216 | +6.5% | -15% | 102 | $80 | $76,652,865 | 98 | Twentieth Century Fox |
| 37 | 38 | Pathology | $6,743 | +1.6% | - | 46 | $146 | $81,866 | 7 | Metro-Goldwyn-Mayer (MGM) |
| 38 | 36 | Bella | $6,129 | -21.2% | -37.2% | 32 | $191 | $7,965,738 | 182 | Roadside Attractions |
| 39 | 39 | Penelope | $5,525 | +3.6% | -27.5% | 142 | $38 | $9,863,111 | 56 | Summit Entertainment |
| 40 | 40 | The First Saturday in May | $5,229 | +1.5% | - | 20 | $261 | $73,782 | 7 | Truly Indie |
| 41 | 42 | Alvin and the Chipmunks | $3,858 | +0.6% | -41% | 176 | $21 | $217,187,835 | 133 | Twentieth Century Fox |
| 42 | 43 | Semi-Pro | $3,488 | +5.3% | - | 110 | $31 | $33,443,247 | 56 | New Line Cinema |
| 43 | 41 | Caramel | $3,185 | -22.2% | -37% | 24 | $132 | $927,159 | 84 | Roadside Attractions |
| 44 | 44 | Be Kind Rewind | $2,493 | -19.8% | - | 56 | $44 | $11,156,291 | 63 | New Line Cinema |
| 45 | 45 | Snow Angels | $1,991 | -16.9% | -53.4% | 40 | $49 | $357,632 | 49 | Warner Independent Pictures (WIP) |
| 46 | 46 | Charlie Bartlett | $1,528 | -2.6% | +544.7% | 54 | $28 | $3,948,642 | 63 | Metro-Goldwyn-Mayer (MGM) |
| 47 | 48 | Teeth | $1,380 | +22.9% | +309.5% | 7 | $197 | $338,460 | 98 | Roadside Attractions |
| 48 | 47 | There Will Be Blood | $1,298 | +1.2% | -54.6% | 25 | $51 | $40,213,831 | 121 | Paramount Vantage |
| 49 | 49 | Chaos Theory | $515 | -26.4% | -80.8% | 7 | $73 | $240,476 | 42 | Warner Independent Pictures (WIP) |
| 50 | 54 | The Grand | $464 | +33.3% | -64% | 5 | $92 | $112,696 | 35 | Anchor Bay Films |
| 51 | 51 | Diary of the Dead | $442 | +1.1% | -81.6% | 12 | $36 | $938,469 | 70 | Third Rail Releasing |
| 52 | 55 | Chicago 10 | $358 | +51.1% | -1.1% | 7 | $51 | $160,566 | 56 | Roadside Attractions |
| 53 | 52 | Last Year at Marienbad | $327 | -21.4% | -52.3% | 1 | $327 | $116,113 | 98 | Rialto Pictures |
| 54 | 53 | Contempt 2008 Re-release | $318 | -17% | -79.8% | 1 | $318 | $97,988 | 42 | Rialto Pictures |
| 55 | 56 | Funny Games | $110 | -11.3% | -77.6% | 9 | $12 | $1,294,016 | 42 | Warner Independent Pictures (WIP) |
| 56 | 58 | Mad Money | $66 | +46.7% | +8.2% | 4 | $16 | $20,654,588 | 98 | Overture Films |
| 57 | 57 | Sleepwalking | $48 | -21.3% | -72.9% | 4 | $12 | $165,662 | 42 | Overture Films |
