Domestic Box Office For Apr 22, 2008
Data as of Nov 21, 2:03 PST
| TD | YD | Release | Daily | %± YD | %± LW | Theaters | Avg | To Date | Days | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 2 | Forgetting Sarah Marshall | $1,622,845 | -3.4% | - | 2,798 | $580 | $21,027,275 | 5 | Universal Pictures |
| 2 | 1 | The Forbidden Kingdom | $1,475,846 | -12.8% | - | 3,151 | $468 | $24,569,734 | 5 | Lionsgate |
| 3 | 3 | 88 Minutes | $554,811 | -0.4% | - | 2,168 | $255 | $8,069,052 | 5 | Sony Pictures Releasing |
| 4 | 4 | 21 | $444,522 | -1.4% | -37.4% | 2,903 | $153 | $70,899,982 | 26 | Sony Pictures Releasing |
| 5 | 6 | Prom Night | $406,491 | -4.8% | -41.4% | 2,700 | $150 | $32,967,254 | 12 | Screen Gems |
| 6 | 7 | Street Kings | $386,310 | -5.5% | -58.1% | 2,469 | $156 | $20,853,314 | 12 | - |
| 7 | 5 | Nim's Island | $374,465 | -13% | -19.2% | 3,277 | $114 | $33,698,756 | 19 | Twentieth Century Fox |
| 8 | 8 | Horton Hears a Who! | $254,571 | -10.5% | -27.3% | 2,670 | $95 | $144,957,435 | 40 | Twentieth Century Fox |
| 9 | 9 | Expelled: No Intelligence Allowed | $227,232 | -4.8% | - | 1,052 | $216 | $3,436,884 | 5 | Rocky Mountain Pictures |
| 10 | 10 | Leatherheads | $211,105 | +0.5% | -49.4% | 2,798 | $75 | $27,026,465 | 19 | Universal Pictures |
| 11 | 11 | Smart People | $150,100 | +4.2% | -50.1% | 1,119 | $134 | $7,099,563 | 12 | Miramax |
| 12 | 12 | Superhero Movie | $110,813 | -8.6% | -37.1% | 1,880 | $58 | $23,836,220 | 26 | - |
| 13 | 13 | The Ruins | $105,401 | -5.2% | -61.7% | 1,857 | $56 | $16,044,691 | 19 | DreamWorks |
| 14 | 15 | Shine a Light | $53,192 | -4.9% | -28.1% | 220 | $241 | $3,865,073 | 19 | Paramount Vantage |
| 15 | 16 | 10,000 BC | $49,901 | -4.8% | -58.2% | 855 | $58 | $92,929,104 | 47 | Warner Bros. |
| 16 | 17 | Meet the Browns | $46,934 | +2.6% | -47.5% | 675 | $69 | $41,252,654 | 33 | Lionsgate |
| 17 | 14 | Under the Same Moon | $45,742 | -21.4% | -30.3% | 454 | $100 | $11,291,271 | 35 | The Weinstein Company |
| 18 | 19 | The Bank Job | $44,767 | +2% | -54.2% | 473 | $94 | $29,295,511 | 47 | Lionsgate |
| 19 | 18 | Drillbit Taylor | $43,417 | -4.8% | -60.2% | 1,367 | $31 | $29,871,466 | 33 | Paramount Pictures |
| 20 | 20 | Miss Pettigrew Lives for a Day | $25,852 | +6.7% | -48.9% | 332 | $77 | $11,817,448 | 47 | Focus Features |
| 21 | 22 | The Bucket List | $25,747 | +14.9% | -31.6% | 350 | $73 | $92,637,923 | 120 | Warner Bros. |
| 22 | 21 | Stop-Loss | $22,612 | -5.1% | -76.8% | 534 | $42 | $10,687,694 | 26 | Paramount Pictures |
| 23 | 24 | Young@Heart | $17,506 | -6.2% | +255.9% | 33 | $530 | $269,077 | 14 | - |
| 24 | 26 | Run Fatboy Run | $17,229 | +7.6% | -62.5% | 227 | $75 | $5,829,961 | 26 | Picturehouse |
| 25 | 37 | Deep Sea | $16,073 | +155.5% | +172.4% | 10 | $1,607 | $34,999,414 | 782 | Warner Bros. |
| 26 | 25 | The Spiderwick Chronicles | $15,903 | -2.7% | -30.9% | 370 | $42 | $70,633,679 | 69 | Paramount Pictures |
| 27 | 27 | Shutter | $15,065 | -2.9% | -77.4% | 433 | $34 | $25,459,260 | 33 | Twentieth Century Fox |
| 28 | 23 | The Visitor | $14,712 | -22.2% | +94.5% | 18 | $817 | $317,023 | 12 | Overture Films |
| 29 | 31 | Never Back Down | $14,282 | +29.1% | -63% | 297 | $48 | $24,237,677 | 40 | Summit Entertainment |
| 30 | 28 | Where in the World Is Osama Bin Laden? | $14,280 | -5.7% | - | 102 | $140 | $178,115 | 5 | The Weinstein Company |
| 31 | 29 | Juno | $13,965 | +0.2% | -46.3% | 230 | $60 | $143,281,840 | 140 | - |
| 32 | 33 | Fool's Gold | $13,289 | +24.3% | -35.3% | 220 | $60 | $69,246,140 | 75 | Warner Bros. |
| 33 | 30 | My Blueberry Nights | $12,626 | +4.1% | +178.4% | 59 | $214 | $292,332 | 19 | The Weinstein Company |
| 34 | 32 | Jumper | $11,112 | +2.9% | +2.9% | 200 | $55 | $79,188,105 | 69 | Twentieth Century Fox |
| 35 | 34 | In Bruges | $10,552 | +3.7% | -42.6% | 123 | $85 | $7,297,651 | 75 | Focus Features |
| 36 | 38 | Bella | $7,676 | +27.2% | -27.5% | 32 | $239 | $7,951,834 | 180 | Roadside Attractions |
| 37 | 35 | Pathology | $6,828 | -7.9% | - | 46 | $148 | $68,487 | 5 | Metro-Goldwyn-Mayer (MGM) |
| 38 | 36 | 27 Dresses | $6,226 | -3.2% | -27.9% | 102 | $61 | $76,636,935 | 96 | Twentieth Century Fox |
| 39 | 39 | Penelope | $5,280 | +5.5% | -26.7% | 142 | $37 | $9,852,253 | 54 | Summit Entertainment |
| 40 | 40 | The First Saturday in May | $4,499 | +3.4% | - | 20 | $224 | $63,401 | 5 | Truly Indie |
| 41 | 44 | Caramel | $3,973 | +70.6% | -48.6% | 24 | $165 | $919,879 | 82 | Roadside Attractions |
| 42 | 41 | Alvin and the Chipmunks | $3,879 | +6.2% | -41.9% | 176 | $22 | $217,180,143 | 131 | Twentieth Century Fox |
| 43 | 42 | Semi-Pro | $3,696 | +3.2% | - | 110 | $33 | $33,436,448 | 54 | New Line Cinema |
| 44 | 43 | Be Kind Rewind | $2,620 | -15.6% | - | 56 | $46 | $11,150,690 | 61 | New Line Cinema |
| 45 | 46 | Snow Angels | $2,046 | -0.9% | -47.2% | 40 | $51 | $353,244 | 47 | Warner Independent Pictures (WIP) |
| 46 | 45 | Contempt 2008 Re-release | $1,636 | -21.8% | +31.4% | 2 | $818 | $97,287 | 40 | Rialto Pictures |
| 47 | 48 | Charlie Bartlett | $1,488 | +5.1% | +644% | 54 | $27 | $3,945,546 | 61 | Metro-Goldwyn-Mayer (MGM) |
| 48 | 47 | There Will Be Blood | $1,360 | -31.6% | -39.3% | 25 | $54 | $40,211,250 | 119 | Paramount Vantage |
| 49 | 49 | Teeth | $753 | -5.9% | +156.1% | 7 | $107 | $335,957 | 96 | Roadside Attractions |
| 50 | 50 | Chaos Theory | $688 | +11.9% | -76.7% | 7 | $98 | $239,261 | 40 | Warner Independent Pictures (WIP) |
| 51 | 51 | Diary of the Dead | $428 | -14.2% | -78.5% | 12 | $35 | $937,590 | 68 | Third Rail Releasing |
| 52 | 54 | Chicago 10 | $407 | +48% | -14.9% | 7 | $58 | $159,971 | 54 | Roadside Attractions |
| 53 | 52 | The Grand | $350 | -27.5% | -74.7% | 5 | $70 | $111,884 | 33 | Anchor Bay Films |
| 54 | 53 | Last Year at Marienbad | $307 | -16.6% | - | 1 | $307 | $115,370 | 96 | Rialto Pictures |
| 55 | 55 | Funny Games | $257 | +27.9% | -54.8% | 9 | $28 | $1,293,782 | 40 | Warner Independent Pictures (WIP) |
| 56 | 58 | Sleepwalking | $69 | +283.3% | -50% | 4 | $17 | $165,553 | 40 | Overture Films |
| 57 | 57 | Mad Money | $34 | +78.9% | -61.4% | 4 | $8 | $20,654,477 | 96 | Overture Films |
