Domestic Box Office For Aug 8, 2004
Data as of Dec 22, 1:55 PST
Key:Estimated
| TD | YD | Release | Daily | %± YD | %± LW | Theaters | Avg | To Date | Days | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | Collateral | $7,226,513 | -24.2% | - | 3,188 | $2,266 | $24,701,458 | 3 | DreamWorks Distribution |
| 2 | 2 | The Village | $4,393,325 | -32% | -65.9% | 3,733 | $1,176 | $85,612,284 | 10 | Walt Disney Studios Motion Pictures |
| 3 | 3 | The Bourne Supremacy | $4,030,880 | -32.2% | -43.9% | 3,304 | $1,220 | $124,602,435 | 17 | Universal Pictures |
| 4 | 4 | The Manchurian Candidate | $2,837,942 | -35.2% | -51.9% | 2,867 | $989 | $37,965,327 | 10 | Paramount Pictures |
| 5 | 6 | Little Black Book | $1,879,462 | -25.8% | - | 2,445 | $768 | $7,075,217 | 3 | Revolution Studios |
| 6 | 5 | I, Robot | $1,847,249 | -31.3% | -40.7% | 2,806 | $658 | $126,922,313 | 24 | Twentieth Century Fox |
| 7 | 7 | Spider-Man 2 | $1,586,914 | -28.9% | -40.5% | 2,564 | $618 | $354,501,860 | 40 | Sony Pictures Releasing |
| 8 | 9 | Harold & Kumar Go to White Castle | $1,022,000 | -10.1% | -41.4% | 2,163 | $472 | $12,320,632 | 10 | New Line Cinema |
| 9 | 8 | Catwoman | $856,361 | -26% | -56.1% | 2,275 | $376 | $36,065,841 | 17 | Warner Bros. |
| 10 | 10 | A Cinderella Story | $813,370 | -26.2% | -44.8% | 2,065 | $393 | $46,889,566 | 24 | Warner Bros. |
| 11 | 11 | Fahrenheit 9/11 | $571,000 | -26.8% | -44.5% | 1,009 | $565 | $113,299,624 | 47 | Lionsgate |
| 12 | 13 | Napoleon Dynamite | $547,625 | -13.5% | +11.4% | 546 | $1,002 | $12,531,709 | 59 | - |
| 13 | 12 | The Notebook | $531,000 | -27.1% | -34.6% | 1,255 | $423 | $72,227,947 | 45 | New Line Cinema |
| 14 | 14 | Anchorman: The Legend of Ron Burgundy | $450,008 | -27.3% | -52.8% | 1,370 | $328 | $81,822,691 | 31 | DreamWorks Distribution |
| 15 | 15 | Thunderbirds | $381,470 | -24.5% | -53.6% | 2,062 | $185 | $5,639,460 | 10 | Universal Pictures |
| 16 | 17 | Open Water | $375,000 | -2.3% | - | 47 | $7,978 | $1,100,943 | 3 | Lionsgate |
| 17 | 16 | De-Lovely | $284,558 | -26.5% | -26% | 410 | $694 | $8,564,806 | 38 | United Artists |
| 18 | 18 | Shrek 2 | $283,955 | -20.1% | -37.4% | 812 | $349 | $434,404,842 | 82 | DreamWorks Distribution |
| 19 | 19 | Harry Potter and the Prisoner of Azkaban | $246,690 | -14.3% | -31.7% | 409 | $603 | $245,332,214 | 66 | Warner Bros. |
| 20 | 21 | Maria Full of Grace | $167,000 | -24.4% | -8.2% | 103 | $1,621 | $1,799,806 | 24 | Fine Line Features |
| 21 | 20 | King Arthur | $158,707 | -41.5% | -62.2% | 480 | $330 | $50,151,674 | 33 | Walt Disney Studios Motion Pictures |
| 22 | 22 | Garden State | $150,531 | -26.3% | +104.5% | 35 | $4,300 | $935,270 | 12 | - |
| 23 | 23 | Dodgeball: A True Underdog Story | $116,976 | -34.1% | -28.2% | 389 | $300 | $111,940,168 | 52 | Twentieth Century Fox |
| 24 | 24 | Garfield: The Movie | $100,798 | -28.1% | -13.1% | 401 | $251 | $73,501,246 | 59 | Twentieth Century Fox |
| 25 | 26 | The Day After Tomorrow | $98,202 | -24.3% | +19.6% | 298 | $329 | $185,220,683 | 73 | Twentieth Century Fox |
| 26 | 25 | Before Sunset | $96,744 | -29.4% | -32.9% | 202 | $478 | $3,822,163 | 38 | Warner Independent Pictures (WIP) |
| 27 | 28 | White Chicks | $86,932 | -25.1% | -50.8% | 283 | $307 | $68,880,614 | 47 | Sony Pictures Releasing |
| 28 | 27 | The Terminal | $76,857 | -38.6% | -48% | 375 | $204 | $76,542,402 | 52 | DreamWorks Distribution |
| 29 | 29 | NASCAR: The IMAX Experience | $63,348 | -38.1% | -0.7% | 56 | $1,131 | $17,092,585 | 150 | Warner Bros. |
| 30 | 30 | The Chronicles of Riddick | $42,770 | -31.9% | -27.2% | 182 | $235 | $57,461,240 | 59 | Universal Pictures |
| 31 | 31 | Two Brothers | $42,365 | -22.2% | -20.8% | 242 | $175 | $18,767,000 | 45 | Universal Pictures |
| 32 | 32 | A Home at the End of the World | $39,085 | -19.2% | -6.4% | 51 | $766 | $412,160 | 17 | Warner Independent Pictures (WIP) |
| 33 | 33 | Intimate Strangers | $32,838 | -31.8% | +70.1% | 21 | $1,563 | $200,377 | 10 | Paramount Classics |
| 34 | 34 | Troy | $28,810 | -20.9% | -20% | 209 | $137 | $133,124,356 | 87 | Warner Bros. |
| 35 | 35 | Mean Girls | $28,197 | -20.4% | -24.5% | 153 | $184 | $85,752,823 | 101 | Paramount Pictures |
| 36 | 36 | The Clearing | $18,015 | -40.2% | -64.6% | 92 | $195 | $5,572,013 | 38 | - |
| 37 | 37 | The Stepford Wives | $16,912 | -23.8% | -33.6% | 91 | $185 | $58,640,947 | 59 | Paramount Pictures |
| 38 | 38 | Scooby-Doo 2: Monsters Unleashed | $12,843 | -20.2% | -20.1% | 110 | $116 | $84,132,857 | 136 | Warner Bros. |
| 39 | 39 | Man on Fire | $8,797 | -18.2% | -44.2% | 51 | $172 | $77,832,996 | 110 | Twentieth Century Fox |
| 40 | 40 | Code 46 | $6,304 | -29.6% | - | 3 | $2,101 | $20,170 | 3 | United Artists |
| 41 | 41 | I'll Sleep When I'm Dead | $4,040 | -22.9% | -17.8% | 15 | $269 | $295,789 | 54 | Paramount Classics |
| 42 | 42 | Love Me If You Dare | $464 | +108.1% | -62.5% | 5 | $92 | $533,695 | 80 | Paramount Classics |
