Domestic Box Office For Aug 7, 2004
Data as of Nov 21, 2:03 PST
Key:Estimated
| TD | YD | Release | Daily | %± YD | %± LW | Theaters | Avg | To Date | Days | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | Collateral | $9,532,920 | +20% | - | 3,188 | $2,990 | $17,474,945 | 2 | DreamWorks Distribution |
| 2 | 2 | The Village | $6,458,496 | +15% | -63% | 3,733 | $1,730 | $81,218,959 | 9 | Walt Disney Studios Motion Pictures |
| 3 | 3 | The Bourne Supremacy | $5,947,195 | +34.8% | -37.8% | 3,304 | $1,799 | $120,571,555 | 16 | Universal Pictures |
| 4 | 4 | The Manchurian Candidate | $4,381,383 | +44.3% | -45.3% | 2,867 | $1,528 | $35,127,385 | 9 | Paramount Pictures |
| 5 | 6 | I, Robot | $2,686,952 | +35.6% | -35.6% | 2,806 | $957 | $125,075,064 | 23 | Twentieth Century Fox |
| 6 | 5 | Little Black Book | $2,531,266 | -5% | - | 2,445 | $1,035 | $5,195,755 | 2 | Revolution Studios |
| 7 | 7 | Spider-Man 2 | $2,233,078 | +38.5% | -36.3% | 2,564 | $870 | $352,914,946 | 39 | Sony Pictures Releasing |
| 8 | 10 | Catwoman | $1,157,660 | +30.5% | -53% | 2,275 | $508 | $35,209,480 | 16 | Warner Bros. |
| 9 | 8 | Harold & Kumar Go to White Castle | $1,137,000 | +10.2% | -36.3% | 2,163 | $525 | $11,298,000 | 9 | New Line Cinema |
| 10 | 9 | A Cinderella Story | $1,102,568 | +14.6% | -38.5% | 2,065 | $533 | $46,076,196 | 23 | Warner Bros. |
| 11 | 12 | Fahrenheit 9/11 | $780,000 | +39% | -36.7% | 1,009 | $773 | $112,729,000 | 46 | Lionsgate |
| 12 | 11 | The Notebook | $728,000 | +19.9% | -28.3% | 1,255 | $580 | $71,697,000 | 44 | New Line Cinema |
| 13 | 13 | Napoleon Dynamite | $633,201 | +13.4% | +25.7% | 546 | $1,159 | $11,984,084 | 58 | - |
| 14 | 14 | Anchorman: The Legend of Ron Burgundy | $619,121 | +20.9% | -46.5% | 1,370 | $451 | $81,372,683 | 30 | DreamWorks Distribution |
| 15 | 15 | Thunderbirds | $505,155 | +36.1% | -51.8% | 2,062 | $244 | $5,257,990 | 9 | Universal Pictures |
| 16 | 18 | De-Lovely | $387,117 | +61% | -20.5% | 410 | $944 | $8,280,248 | 37 | United Artists |
| 17 | 16 | Open Water | $384,000 | +12.3% | - | 47 | $8,170 | $726,000 | 2 | Lionsgate |
| 18 | 17 | Shrek 2 | $355,602 | +39.8% | -31.2% | 812 | $437 | $434,120,887 | 81 | DreamWorks Distribution |
| 19 | 20 | Harry Potter and the Prisoner of Azkaban | $287,914 | +48.7% | -25.6% | 409 | $703 | $245,085,524 | 65 | Warner Bros. |
| 20 | 19 | King Arthur | $271,518 | +30.2% | -53.1% | 480 | $565 | $49,992,967 | 32 | Walt Disney Studios Motion Pictures |
| 21 | 22 | Maria Full of Grace | $221,000 | +46.4% | +9.4% | 103 | $2,145 | $1,633,000 | 23 | Fine Line Features |
| 22 | 21 | Garden State | $204,278 | +30.3% | +181.1% | 35 | $5,836 | $784,739 | 11 | - |
| 23 | 23 | Dodgeball: A True Underdog Story | $177,411 | +26.8% | -22.6% | 389 | $456 | $111,823,192 | 51 | Twentieth Century Fox |
| 24 | 25 | Garfield: The Movie | $140,133 | +39.6% | -12% | 401 | $349 | $73,400,448 | 58 | Twentieth Century Fox |
| 25 | 27 | Before Sunset | $137,031 | +52.8% | -27% | 202 | $678 | $3,725,419 | 37 | Warner Independent Pictures (WIP) |
| 26 | 26 | The Day After Tomorrow | $129,782 | +35.7% | +3.5% | 298 | $435 | $185,122,481 | 72 | Twentieth Century Fox |
| 27 | 24 | The Terminal | $125,184 | +22.6% | -46.1% | 375 | $333 | $76,465,545 | 51 | DreamWorks Distribution |
| 28 | 28 | White Chicks | $116,092 | +43% | -51.9% | 283 | $410 | $68,793,682 | 46 | Sony Pictures Releasing |
| 29 | 29 | NASCAR: The IMAX Experience | $102,399 | +35.6% | -15.1% | 56 | $1,828 | $17,029,237 | 149 | Warner Bros. |
| 30 | 30 | The Chronicles of Riddick | $62,790 | +37.9% | -19.5% | 182 | $345 | $57,418,470 | 58 | Universal Pictures |
| 31 | 31 | Two Brothers | $54,450 | +28.6% | -18.2% | 242 | $225 | $18,724,635 | 44 | Universal Pictures |
| 32 | 32 | A Home at the End of the World | $48,343 | +37.9% | +6.9% | 51 | $947 | $373,075 | 16 | Warner Independent Pictures (WIP) |
| 33 | 34 | Intimate Strangers | $48,153 | +62.2% | +110.2% | 21 | $2,293 | $167,539 | 9 | Paramount Classics |
| 34 | 35 | Troy | $36,407 | +38.4% | -21.3% | 209 | $174 | $133,095,546 | 86 | Warner Bros. |
| 35 | 33 | Mean Girls | $35,425 | +19.1% | -34.5% | 153 | $231 | $85,724,626 | 100 | Paramount Pictures |
| 36 | 36 | The Clearing | $30,124 | +59% | -58.3% | 92 | $327 | $5,553,998 | 37 | - |
| 37 | 37 | The Stepford Wives | $22,191 | +36.4% | -42.6% | 91 | $243 | $58,624,035 | 58 | Paramount Pictures |
| 38 | 38 | Scooby-Doo 2: Monsters Unleashed | $16,103 | +32.4% | -43.7% | 110 | $146 | $84,120,014 | 135 | Warner Bros. |
| 39 | 39 | Man on Fire | $10,752 | +48.3% | -43.5% | 51 | $210 | $77,824,199 | 109 | Twentieth Century Fox |
| 40 | 40 | Code 46 | $8,949 | +82% | - | 3 | $2,983 | $13,866 | 2 | United Artists |
| 41 | 41 | I'll Sleep When I'm Dead | $5,243 | +65.1% | -14.3% | 15 | $349 | $291,749 | 53 | Paramount Classics |
| 42 | 42 | Love Me If You Dare | $223 | +129.9% | -81.5% | 5 | $44 | $533,231 | 79 | Paramount Classics |
