Domestic Box Office For Jul 3, 2003
Data as of Nov 21, 2:03 PST
Key:Estimated
TD | YD | Release | Daily | %± YD | %± LW | Theaters | Avg | To Date | Days | Distributor |
---|---|---|---|---|---|---|---|---|---|---|
1 | 1 | Terminator 3: Rise of the Machines | $11,875,296 | -4.5% | - | 3,355 | $3,539 | $28,346,021 | 2 | Warner Bros. |
2 | 2 | Legally Blonde 2: Red, White & Blonde | $7,140,020 | -21.9% | - | 3,350 | $2,131 | $16,286,730 | 2 | Metro-Goldwyn-Mayer (MGM) |
3 | 3 | Charlie's Angels: Full Throttle | $3,477,289 | +15% | - | 3,485 | $997 | $53,058,550 | 7 | Sony Pictures Releasing |
4 | 4 | Finding Nemo | $2,675,835 | +20.9% | -13.3% | 2,902 | $922 | $263,877,833 | 35 | Walt Disney Studios Motion Pictures |
5 | 5 | Hulk | $1,954,125 | +18.8% | -52.1% | 3,601 | $542 | $108,785,065 | 14 | Universal Pictures |
6 | 6 | Sinbad: Legend of the Seven Seas | $1,659,109 | +8.9% | - | 3,086 | $537 | $3,182,503 | 2 | DreamWorks Distribution |
7 | 7 | 28 Days Later | $1,082,763 | +23.6% | - | 1,318 | $821 | $14,549,550 | 7 | - |
8 | 8 | Bruce Almighty | $829,170 | +20.9% | -28.1% | 1,997 | $415 | $224,634,250 | 42 | Universal Pictures |
9 | 9 | The Italian Job | $799,473 | +34.2% | -17.7% | 1,584 | $504 | $79,704,274 | 35 | Paramount Pictures |
10 | 11 | 2 Fast 2 Furious | $609,625 | +18.5% | -48.2% | 1,895 | $321 | $116,796,145 | 28 | Universal Pictures |
11 | 10 | Rugrats Go Wild | $479,235 | -8.9% | -52.5% | 2,021 | $237 | $33,317,367 | 21 | Paramount Pictures |
12 | 12 | The Matrix Reloaded | $351,452 | +32.1% | -28% | 821 | $428 | $270,382,129 | 50 | Warner Bros. |
13 | 16 | Whale Rider | $207,963 | +72.7% | +167.9% | 197 | $1,055 | $2,898,738 | 28 | Newmarket Films |
14 | 13 | X2: X-Men United | $173,763 | +29.1% | -13.7% | 1,100 | $157 | $211,953,685 | 63 | Twentieth Century Fox |
15 | 14 | Alex & Emma | $154,310 | +14.8% | -77.5% | 1,209 | $127 | $12,618,285 | 14 | Warner Bros. |
16 | 15 | Hollywood Homicide | $153,543 | +23% | -77.3% | 855 | $179 | $28,491,099 | 21 | Revolution Studios |
17 | 17 | Daddy Day Care | $132,324 | +27.3% | -40.1% | 616 | $214 | $98,792,877 | 56 | Revolution Studios |
18 | 18 | Bend It Like Beckham | $91,390 | +37.3% | -4.4% | 239 | $382 | $24,213,460 | 114 | - |
19 | 19 | Swimming Pool | $54,000 | +63.6% | - | 13 | $4,153 | $86,539 | 2 | Focus Features |
20 | 20 | The Spanish Apartment 2003 Re-release | $41,784 | +117.4% | +55.6% | 82 | $509 | $2,059,867 | 49 | - |
21 | 22 | Man on the Train | $25,853 | +76.6% | +19.7% | 77 | $335 | $1,776,939 | 56 | Paramount Classics |
22 | 25 | A Mighty Wind | $16,774 | +62.6% | -37.1% | 86 | $195 | $17,260,738 | 79 | Warner Bros. |
23 | 21 | Wrong Turn | $15,344 | +3% | -77.2% | 138 | $111 | $14,222,700 | 35 | Twentieth Century Fox |
24 | 28 | The Lord of the Rings: The Two Towers | $13,283 | +57.3% | +39.3% | 86 | $154 | $339,503,386 | 198 | New Line Cinema |
25 | 27 | Together | $12,302 | +43.4% | -10.3% | 47 | $261 | $786,509 | 35 | United Artists |
26 | 23 | How to Lose a Guy in 10 Days | $10,548 | -25.4% | -41.5% | 65 | $162 | $105,714,944 | 147 | Paramount Pictures |
27 | 30 | Phone Booth | $10,026 | +22.5% | -44.1% | 116 | $86 | $46,386,191 | 91 | Twentieth Century Fox |
28 | 24 | From Justin to Kelly | $9,810 | -11.7% | -96.6% | 185 | $53 | $4,853,606 | 14 | Twentieth Century Fox |
29 | 29 | Down with Love | $9,527 | +16.3% | -53.3% | 126 | $75 | $20,124,926 | 56 | Twentieth Century Fox |
30 | 26 | Malibu's Most Wanted | $9,006 | +4.9% | -30.6% | 109 | $82 | $34,264,856 | 77 | Warner Bros. |
31 | 32 | The In-Laws | $4,322 | +44.4% | -81% | 70 | $61 | $20,079,817 | 42 | Warner Bros. |
32 | 31 | The Dancer Upstairs | $3,287 | -8.8% | -31.8% | 32 | $102 | $2,298,451 | 63 | - |
33 | 33 | The Core | $1,827 | +18.9% | -73.5% | 29 | $63 | $31,102,595 | 98 | Paramount Pictures |
34 | 34 | Assassination Tango | $439 | +41.6% | -73% | 14 | $31 | $972,521 | 98 | United Artists |
35 | 35 | House of Fools | $41 | +7.9% | -83.5% | 2 | $20 | $49,583 | 70 | Paramount Classics |
36 | 36 | Washington Heights | $8 | +60% | - | 1 | $8 | $116,769 | 56 | MAC Releasing |