Domestic Box Office For May 25, 2003
Data as of Nov 21, 6:56 PST
| TD | YD | Release | Daily | %± YD | %± LW | Theaters | Avg | To Date | Days | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | Bruce Almighty | $22,413,105 | -11.8% | - | 3,483 | $6,435 | $67,953,330 | 3 | Universal Pictures |
| 2 | 2 | The Matrix Reloaded | $12,128,245 | -16.1% | -53.5% | 3,603 | $3,366 | $200,773,759 | 11 | Warner Bros. |
| 3 | 3 | Daddy Day Care | $4,768,074 | -20.1% | -11.7% | 3,472 | $1,373 | $69,150,435 | 17 | Revolution Studios |
| 4 | 4 | X2: X-Men United | $3,595,999 | -14.8% | -25.3% | 3,067 | $1,172 | $189,459,127 | 24 | Twentieth Century Fox |
| 5 | 5 | The In-Laws | $2,396,119 | -17.7% | - | 2,652 | $903 | $7,319,848 | 3 | Warner Bros. |
| 6 | 6 | Down with Love | $1,312,642 | -17.9% | -20.9% | 2,118 | $619 | $13,573,110 | 17 | Twentieth Century Fox |
| 7 | 7 | The Lizzie McGuire Movie | $1,092,232 | -21.9% | -16.9% | 2,118 | $515 | $36,568,708 | 24 | Walt Disney Studios Motion Pictures |
| 8 | 8 | Holes | $847,355 | -11.5% | -2.6% | 1,762 | $480 | $59,396,268 | 38 | Walt Disney Studios Motion Pictures |
| 9 | 9 | Identity | $735,005 | -12.5% | -26.2% | 1,590 | $462 | $48,717,060 | 31 | Sony Pictures Releasing |
| 10 | 11 | Bend It Like Beckham | $628,131 | -12.4% | +71.7% | 522 | $1,203 | $17,262,607 | 75 | - |
| 11 | 10 | Anger Management | $578,913 | -26.9% | -34.1% | 1,809 | $320 | $131,333,057 | 45 | Revolution Studios |
| 12 | 12 | A Mighty Wind | $476,209 | -16.8% | +12.2% | 588 | $809 | $14,079,482 | 40 | Warner Bros. |
| 13 | 13 | The Dancer Upstairs | $150,869 | -11.5% | +100% | 152 | $992 | $1,318,284 | 24 | - |
| 14 | 14 | Malibu's Most Wanted | $81,600 | -34.2% | -59.9% | 314 | $259 | $33,490,816 | 38 | Warner Bros. |
| 15 | 15 | How to Lose a Guy in 10 Days | $76,827 | -20.3% | +454.5% | 270 | $284 | $104,546,803 | 108 | Paramount Pictures |
| 16 | 18 | The Spanish Apartment 2003 Re-release | $71,462 | -4% | +314.3% | 28 | $2,552 | $277,344 | 10 | - |
| 17 | 16 | Man on the Train | $69,682 | -26.2% | +187.1% | 46 | $1,514 | $398,891 | 17 | Paramount Classics |
| 18 | 17 | Phone Booth | $65,493 | -18.7% | -27.8% | 244 | $268 | $44,995,170 | 52 | Twentieth Century Fox |
| 19 | 19 | Daredevil | $64,968 | -4.6% | +37.3% | 168 | $386 | $102,132,351 | 101 | Twentieth Century Fox |
| 20 | 22 | The Lord of the Rings: The Two Towers | $43,471 | -6% | +44.1% | 135 | $322 | $338,794,804 | 159 | New Line Cinema |
| 21 | 20 | What a Girl Wants | $43,005 | -28.2% | +27.2% | 330 | $130 | $35,659,771 | 52 | Warner Bros. |
| 22 | 21 | Head of State | $37,625 | -26.9% | +171.4% | 74 | $508 | $37,400,944 | 59 | DreamWorks Distribution |
| 23 | 23 | The Good Thief | $26,634 | -27.1% | -4.6% | 93 | $286 | $3,285,920 | 54 | - |
| 24 | 25 | Bulletproof Monk | $16,625 | -16.7% | -37.9% | 99 | $167 | $23,010,607 | 40 | Metro-Goldwyn-Mayer (MGM) |
| 25 | 26 | Kangaroo Jack | $16,141 | -11.3% | -27.8% | 90 | $179 | $66,723,216 | 129 | Warner Bros. |
| 26 | 24 | It Runs in the Family | $14,109 | -44.1% | -72.3% | 127 | $111 | $7,365,324 | 31 | Metro-Goldwyn-Mayer (MGM) |
| 27 | 27 | City of Ghosts | $13,020 | +5.6% | +39.7% | 15 | $868 | $217,678 | 31 | United Artists |
| 28 | 29 | Chasing Papi | $11,999 | +35% | -53.4% | 35 | $342 | $6,107,480 | 40 | Twentieth Century Fox |
| 29 | 28 | Assassination Tango | $10,111 | +12.2% | +122% | 27 | $374 | $833,554 | 59 | United Artists |
| 30 | 31 | The Hunted | $6,096 | -1.5% | -64.4% | 42 | $145 | $34,234,008 | 73 | Paramount Pictures |
| 31 | 32 | Better Luck Tomorrow | $5,037 | -13.4% | -71.3% | 35 | $143 | $3,744,024 | 45 | Paramount Pictures |
| 32 | 30 | The Core | $3,631 | -42.7% | -31.4% | 33 | $110 | $30,649,458 | 59 | Paramount Pictures |
| 33 | 33 | Washington Heights | $2,127 | +2.7% | -61.5% | 1 | $2,127 | $104,236 | 17 | MAC Releasing |
| 34 | 34 | New Suit | $941 | -7.2% | -21.1% | 1 | $941 | $30,479 | 24 | - |
| 35 | 35 | House of Fools | $590 | -4.1% | -62.7% | 3 | $196 | $29,951 | 31 | Paramount Classics |
